I can never decide if I’m elated or appalled by digital audio and its potential. It’s empowering and disempowering in equal measure. It’s not entirely clear yet how historians can use it. Digital audio grows from the insights of Claude
Against Metadata
I dislike metadata because it’s really just ideology and interpretation masquerading as neutral. It compels lines of inquiry and ways of thinking that precondition outcomes. It’s very similar to WordPress itself in that it offers you a lot of choices